Skip to main content

Hillary's Official Tony Predictions!


HAPPY TONY DAY EVERYONE!!!

It's such a special time of year! Dreams come true, theatre is thriving, it's hot out, and the Dear Evan Hansen standing room line is longer than ever. Tonight, the 71st annual Tony Awards air (on CBS at 8pm EST for those of you living under a rock and don't know the deets)!!! It's 12:07am as I type this out and I've finally finished filling out my Tony ballot in preparation for the big night.

Without further ado, here are my official predictions for the 2017 Tony Awards. Some of these were wild guesses, some of these took a great deal of research and consideration. My choice for the winner of each category will be in BOLD. What are your thoughts?

Best Play
“A Doll’s House, Part 2”
“Indecent”
“Oslo”
“Sweat”

Best Musical
“Come From Away”
“Dear Evan Hansen”
“Groundhog Day The Musical”
“Natasha, Pierre & The Great Comet of 1812”

Best Book of a Musical
“Come From Away” — Irene Sankoff and David Hein
“Dear Evan Hansen” — Steven Levenson
“Groundhog Day The Musical” — Danny Rubin
“Natasha, Pierre & The Great Comet of 1812” — Dave Malloy

Best Original Score
“Come From Away” — Music & Lyrics: Irene Sankoff and David Hein
“Dear Evan Hansen” — Music & Lyrics: Benj Pasek & Justin Paul
“Groundhog Day The Musical” — Music & Lyrics: Tim Minchin
“Natasha, Pierre & The Great Comet of 1812” — Music & Lyrics: Dave Malloy

Best Revival of a Play
“August Wilson’s Jitney”
“Lillian Hellman’s The Little Foxes”
“Present Laughter”
“Six Degrees of Separation”

Best Revival of a Musical
“Falsettos”
“Hello, Dolly!”
“Miss Saigon”

Best Performance by an Actor in a Leading Role in a Play
Denis Arndt, “Heisenberg”
Chris Cooper, “A Doll’s House, Part 2”
Corey Hawkins, “Six Degrees of Separation”
Kevin Kline, “Present Laughter”
Jefferson Mays, “Oslo”

Best Performance by an Actress in a Leading Role in a Play
Cate Blanchett, “The Present”
Jennifer Ehle, “Oslo”
Sally Field, “The Glass Menagerie”
Laura Linney, “Lillian Hellman’s The Little Foxes”
Laurie Metcalf, “A Doll’s House, Part 2”

Best Performance by an Actor in a Leading Role in a Musical
Christian Borle, “Falsettos”
Josh Groban, “Natasha, Pierre & The Great Comet of 1812”
Andy Karl, “Groundhog Day The Musical”
David Hyde Pierce, “Hello, Dolly!”
Ben Platt, “Dear Evan Hansen”

Best Performance by an Actress in a Leading Role in a Musical
Denee Benton, “Natasha, Pierre & The Great Comet of 1812”
Christine Ebersole, “War Paint”
Patti LuPone, “War Paint”
Bette Midler, “Hello, Dolly!”
Eva Noblezada, “Miss Saigon”

Best Performance by an Actor in a Featured Role in a Play
Michael Aronov, “Oslo”
Danny DeVito, “Arthur Miller’s The Price”
Nathan Lane, “The Front Page”
Richard Thomas, “Lillian Hellman’s The Little Foxes”
John Douglas Thompson, “August Wilson’s Jitney”

Best Performance by an Actress in a Featured Role in a Play
Johanna Day, “Sweat”
Jayne Houdyshell, “A Doll’s House, Part 2”
Cynthia Nixon, “Lillian Hellman’s The Little Foxes”
Condola Rashad, “A Doll’s House, Part 2”
Michelle Wilson, “Sweat”

Best Performance by an Actor in a Featured Role in a Musical
Gavin Creel, “Hello, Dolly!”
Mike Faist, “Dear Evan Hansen”
Andrew Rannells, “Falsettos”
Lucas Steele, “Natasha, Pierre & The Great Comet of 1812”
Brandon Uranowitz, “Falsettos”

Best Performance by an Actress in a Featured Role in a Musical
Kate Baldwin, “Hello, Dolly!”
Stephanie J. Block, “Falsettos”
Jenn Colella, “Come From Away”
Rachel Bay Jones, “Dear Evan Hansen”
Mary Beth Peil, “Anastasia”

Best Scenic Design of a Play
David Gallo, “August Wilson’s Jitney”
Nigel Hook, “The Play That Goes Wrong”
Douglas W. Schmidt, “The Front Page”
Michael Yeargan, “Oslo”

Best Scenic Design of a Musical
Rob Howell, “Groundhog Day The Musical”
David Korins, “War Paint”
Mimi Lien, “Natasha, Pierre & The Great Comet of 1812”
Santo Loquasto, “Hello, Dolly!”

Best Costume Design of a Play
Jane Greenwood, “Lillian Hellman’s The Little Foxes”
Susan Hilferty, “Present Laughter”
Toni-Leslie James, “August Wilson’s Jitney”
David Zinn, “A Doll’s House, Part 2”

Best Costume Design of a Musical
Linda Cho, “Anastasia”
Santo Loquasto, “Hello, Dolly!”
Paloma Young, “Natasha, Pierre & The Great Comet of 1812”
Catherine Zuber, “War Paint”

Best Lighting Design of a Play
Christopher Akerlind, “Indecent”
Jane Cox, “August Wilson’s Jitney”
Donald Holder, “Oslo”
Jennifer Tipton, “A Doll’s House, Part 2”

Best Lighting Design of a Musical
Howell Binkley, “Come From Away”
Natasha Katz, “Hello, Dolly!”
Bradley King, “Natasha, Pierre & The Great Comet of 1812”
Japhy Weideman, “Dear Evan Hansen”

Best Direction of a Play
Sam Gold, “A Doll’s House, Part 2”
Ruben Santiago-Hudson, “August Wilson’s Jitney”
Bartlett Sher, “Oslo”
Daniel Sullivan, “Lillian Hellman’s The Little Foxes”
Rebecca Taichman, “Indecent”

Best Direction of a Musical
Christopher Ashley, “Come From Away”
Rachel Chavkin, “Natasha, Pierre & The Great Comet of 1812”
Michael Greif, “Dear Evan Hansen”
Matthew Warchus, “Groundhog Day The Musical”
Jerry Zaks, “Hello, Dolly!”

Best Choreography
Andy Blankenbuehler, “Bandstand”
Peter Darling and Ellen Kane, “Groundhog Day The Musical”
Kelly Devine, “Come From Away”
Denis Jones, “Holiday Inn, The New Irving Berlin Musical”
Sam Pinkleton, “Natasha, Pierre & The Great Comet of 1812”

Best Orchestrations
Bill Elliott and Greg Anthony Rassen, “Bandstand”
Larry Hochman, “Hello, Dolly!”
Alex Lacamoire, “Dear Evan Hansen”
Dave Malloy, “Natasha, Pierre & The Great Comet of 1812”

Comments

Post a Comment

Popular posts from this blog

Top 10 Nicest Broadway Actors I’ve Met at the Stage Door

At face value, the stage door of a theatre is the official entrance and exit for actors, crew, musicians, etc. However, the stage door has become more than that for theatre fans everywhere. At the conclusion of a performance, fans gather outside the stage door to wait for cast members willing to sign autographs and take selfies. The act of "stage dooring" is a fun pastime for the modern theatre fan. I've been stage dooring shows for many years and have had the pleasure of meeting some really wonderful Broadway performers I admire. To kick off my new Top 10 series, I've decided to compile a list of who I think are the nicest Broadway actors I've met at the stage door (in no particular order): ALEX BRIGHTMAN   I first became an Alex Brightman fan after he blew me away in School of Rock . I wasn't able to meet him after the show, but many months later I found myself back to see the show for a second time. Between the two times I sa...
Post a Comment
Read more

REVIEW: My Fair Lady on Broadway

photo by Joan Marcus As soon as I caught my first glimpse of the neon signs hanging above the entrance of the Vivian Beaumont Theatre, my face broke into a huge grin. I had been there just two months prior to see My Fair Lady  on Broadway, and I was so excited that I was back for a second round. I power-walked to the box office to pick up my ticket. On my way, I snuck a glance at the understudy board. It was completely empty. This was a good thing for me because the first time I saw the show, there were several fabulous understudies on and this time I got to see different actors in those roles. After getting my ticket I bid goodbye to my parents, whose seats were in the balcony, and I made my way to my seat in the third row of the orchestra. I sat impatiently for the next twenty minutes, flipping through my Playbill and eavesdropping on the group behind me trying to guess the synopsis of Come From Away ("It's probably about a couple who goes to a Sandals resor...
Post a Comment
Read more

Who Lives, Who Dies, Who Drains Your Savings?

I, like most of the theatre world, am completely captivated by the new Broadway superhit Hamilton . I have listened to the cast recording on repeat nonstop for the last several months. I know every word to every song. The cast members have all become celebrities in my house. I am also extremely lucky to have seen Hamilton, and it completely blew me away and exceeded every expectation. I also luckily only paid $57 for my ticket. That sentence usually is greeted with gasps, dropped jaws, and “HOOOOOWWWW?!” That kind of price for this show is completely unheard of these days. If you buy a Hamilton ticket face value, the cheapest you can get is $139. StubHub and Ticketmaster Resale is filled with people re-selling their tickets for as much as $1,500 or more PER TICKET. Why are people doing this? Because people are so desperate to see the show that they will pay 10x the original ticket cost to see it! This alone is where our problem lies and created the whole reason why I am ...
2 comments
Read more